They then threw everything out but their primary parts, and went searching for the right musicians to fill out the remainder. Born in , Pinhas earned a Ph. To play this content, you’ll need the Spotify app. Mu was a structured studio improvisation date co-billed to guitarist Barry Cleveland. Get Spotify Open Spotify. The guitarist also performed with Akita and Wolf Eyes at that year’s Festival International de Musique Actuelle de Victoriaville in Victoriaville, Quebec, resulting in a live album issued in He also released Le Pli:
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He also recorded his first date for Germany’s Bureau B. The author read from the works of the late Deleuze’s works with the guitarist playing in real time with electronic sound manipulation, and offered a fitting tribute to the radical thinker. Listen to all your favourite artists on any device for free or try the Premium trial. It established the beginning of his longstanding relationship with United States-based Cuneiform Records , host label to the majority of his recordings since then, although the deal was not exclusive. The rhythm section included bassist Michael Manring and drummer Celso Alberti.
Born inPinhas earned a Ph. In he became a part of Schizo, a group whose music contained a great deal of electronics. After Schizo’s demise, Pinhas formed Heldon, whose only constant was himself. Pinhas’ solo work covered a lot of ground. His first solo LP, Rhizosphere, was performed entirely on synthesizers, except for drums on the side-long title track. Chronolyse ranges from simple sequencer pieces to « Paul Atreides, » a minute piece performed by Heldon.
The Iceland LP successfully captures the feel of an ancient, frozen land. East-West was Pinhas’ most commercial work.
L’Ethique pinhaa a varied work with a more structured feel than some of his previous efforts. Pinhas retired from music until the release of DWW, which contained work from the period It established the beginning of his longstanding relationship with United States-based Cuneiform Recordshost label to the majority of his recordings since then, although the deal was not exclusive. Among his other activities, Pinhas also began experimenting with projects using spoken word during the late ’90s a methodology he first employed with Heldonspoken by prominent 20th century visionaries and futurists including philosopher Gilles Deleuze, science fiction writers Norman Spinrad pinhaw Philip K.
The words — either taped or cut live in real time, in English and French — added layers of sound, texture, and conceptual meaning to Pinhas’ music. Arriving inSchizotrope: The author read from the works of the late Deleuze’s works with the guitarist playing in real time with electronic sound manipulation, and offered a fitting tribute to the radical thinker. He also released Le Pli: Schizotrope III with Dantec, a studio effort. Released inEvent and Repetitions was crafted from over 70 hours of guitar playing, painstakingly edited for release.
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It was greeted with international acclaim as one of his finest recordings. Tranzition followed in with Paganotti on drums and Philippe Simon on violin. It also included a collaborative track with novelist Delaume. Paganotti and the violinist also appeared on ‘s linhas, conceptual Metatron, titled for an angel from the Judaic mystical Kaballah texts.
Pinhas met Japanese electronic and noise master Masami Akita aka Merzbow while on tour. Two more live dates with Merzbow — Rhizome and the retrospective Paris — were released in The guitarist also performed with Akita muisc Wolf Eyes at that year’s Festival International de Musique Actuelle de Victoriaville in Victoriaville, Quebec, resulting in a live album issued in Pinhas issued one of his most ambitious projects with ‘s Desolation Row.
The first part of a projected « devolution » trilogy that examined the global cost of neoliberalism and what he called « teknofascism, » it was a militant continuation of the sonic, political, and social aesthetics that first emerged during his participation in the student revolts in Paris of The other two were issued on the same day by Cuneiform. The studio set Welcome in the Void with drummer Tatsuya Yoshida was the second « devolution » installment, while Tikkun, a live date with Oren Ambarchiincluded performances on the second half from MerzbowDuncan Nilson-Pinhas, and Borelva.
The following year, Hakata Shibuya: Live in Japan with Tatsuya appeared from Bam Balam. The year proved equally prolific for Pinhas. Cuneiform again released two very different albums simultaneously: Mu was a structured studio improvisation date co-billed to guitarist Barry Cleveland. The rhythm section included bassist Pihhas Manring and drummer Celso Alberti.
Process and Reality, titled for philosopher Alfred North Whitehead’s seminal work ofwas issued the same day and placed Pinhas in a trio setting with Yoshida and Merzbow the first time they had all played together.
Pinhas toured the U. He also recorded his first date for Germany’s Bureau B. Together with Ambarchihe cut the skeleton of the album in Paris, playing all the instruments. They then threw everything out but their primary parts, and went searching for the right musicians to fill out the remainder. Reverse was released in January The following year, he paired with longtime associate Tatsuya Yoshidaand Acid Mothers Temple ‘s Makoto Kawabata for Trax, a set of live, in-studio improvisations.
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